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DTSTART;TZID=America/New_York:20240727T200000
DTEND;TZID=America/New_York:20240727T200000
DTSTAMP:20260404T053504
CREATED:20240412T160942Z
LAST-MODIFIED:20240412T160942Z
UID:10000975-1722110400-1722110400@firehouse.org
SUMMARY:Butcher\, Baglio\, & Estes
DESCRIPTION:$22/Members\n$25/Non-Member \nPurchase Tickets\n\nJon Butcher\, Sal Baglio & Allen Estes. Three veteran musicians and familiar names from the Boston music scene. Their debut album\, GYPSY CARAVAN is 11 new electric and acoustic stories steeped in the blues and Americana. \n“We’re blue collar guys from working class families. We grew up on the sound of rock radio and the promise of an electric guitar. “ \nGYPSY CARAVAN covers a lot of ground\, just as CS&N’s debut album did back in the day. The album is the product of three long time friends who came together on a travelogue of blues\, roots and more. And it rocks!” \nYes it does. \nPurchase Tickets
URL:https://firehouse.org/event/butcher-baglio-estes-2/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/04/BBE_Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240814T200000
DTEND;TZID=America/New_York:20240814T200000
DTSTAMP:20260404T053504
CREATED:20240423T170032Z
LAST-MODIFIED:20240611T194458Z
UID:10000982-1723665600-1723665600@firehouse.org
SUMMARY:Rayland Baxter
DESCRIPTION:w/ special guest Sugadaisy\n\nMember: $60 – Rows A-D/$50 – Rows E-K/$40 – Rows L-O\nNon-Member: $65 – Rows A-D/$55 – Rows E-K/$45 – Rows L-O \nPURCHASE TICKETS\n\nFor the making of his fourth album If I Were a Butterfly\, Rayland Baxter holed up for over a year at a former rubber-band factory turned studio in the Kentucky countryside—a seemingly humble environment that proved to be something of a wonderland. “I spent that year living in a barn with the squirrels and the birds\, on my own most of the time\, and I discovered so much about music and how to create it\,” says the Tennessee-bred singer/songwriter. “Instead of going into a studio with a producer for two weeks\, I just waited for the record to build itself. I’d get up and go outside\, see a butterfly and connect that with some impulsive thought I’d had three months ago\, and suddenly a song I’d been working on would make sense. That’s how the whole album came to be.” \nThe follow-up to 2018’s critically acclaimed Wide Awake\, If I Were a Butterfly finds Baxter co-producing alongside Tim O’Sullivan (Grace Potter\, The Head and the Heart) and Kai Welch (Molly Tuttle\, Sierra Hull)\, slowly piecing together the album’s patchwork of lush psychedelia and Beatlesesque pop. In addition to working at Thunder Sound (the Kentucky studio he called home for months on end)\, Baxter recorded in California\, Texas\, Tennessee\, and Washington\, enlisting a remarkable lineup of musicians: Shakey Graves\, Lennon Stella\, several members of Cage the Elephant\, Zac Cockrell of Alabama Shakes\, Morning Teleportation’s Travis Goodwin\, and legendary Motown drummer Miss Bobbye Hall\, among many others. In an especially meaningful turn\, two of the album’s tracks feature the elegant pedal steel work of his father\, Bucky Baxter (a musician who performed with Bob Dylan and who passed away in May 2020). Thanks to the extraordinary care and ingenuity behind its creation\, If I Were a Butterfly arrives as a work of rarefied magic\, capable of stirring up immense feeling while leaving the listener happily wonderstruck. \nBaxter’s debut release as a producer\, If I Were a Butterfly bears a dazzling unpredictability that has much to do with his limitless imagination as a collector and collagist of sound. “Sometimes the bullfrogs in the pond outside would pulse in a certain tempo and I’d apply that to a song\, or I’d hear a bird chirping and it would inspire me to add harmonica in a particular place\,” he says. “I could be walking around this massive building in the middle of the night and the air-conditioning would turn on\, and it’d give me the idea to include a synth part that holds a similar note. I’d wait for those moments to happen and whenever I tried to force anything\, the music usually rejected it.” \nA perfect introduction to If I Were a Butterfly’s elaborate sonic world\, the album-opening title track begins with a recording of a Baxter singing at age four\, then drifts into a delicately sprawling reverie ornamented with so many lovely details (lavish flute and cello melodies\, radiant horns\, the hypnotic harmonies of Lennon Stella and Baxter’s girlfriend\, Sophia Rose). “I liked the idea of the first voice on the record being me as a little kid\, not knowing where I’d be today\,” notes Baxter\, who embedded newly unearthed audio clips of himself and his older sister Brooke all throughout the album. Graced with the combustible guitar work of his bandmate Barney Cortez\, “Billy Goat” kicks up a potent tension with its restless grooves and hot-tempered gang vocals. “It’s a breakup song about being with someone who’s on a different life path—one side wants to influence the other\, and inevitably you part ways\,” says Baxter. From there\, the album takes on a feverish momentum with “Rubberband Man\,” a delightfully frenzied track channeling a wild and giddy freedom. “There’s rubber bands all over the property at Thunder Sound—in the earth\, in the concrete\, used as insulation for the studio\,” says Baxter. “I took a mishmash of images in my head and it turned into a song about staying flexible\, rolling with the punches.” \nIn its searching reflection on love and loss and striving for transcendence\, If I Were a Butterfly reaches a quietly glorious intensity on “Tadpole”: a piano ballad threaded with childhood memories at turns oddly tender (catching frogs and crawfish in a nearby toxic creek) and nightmarish (hearing the gunshot when an across-the-street neighbor took her own life). And on “My Argentina\,” If I Were a Butterfly closes out with a piano-driven and painfully raw outpouring\, its starkness intermittently broken by soulful strings and gospel-esque harmonies. “One time at the studio I stayed up all night and played that song maybe 100 times; we ended up using the last take\, which was recorded at about five in the morning\,” says Baxter. “It’s a song that represents the thoughts one might have about a perfect love life\, and I love how it ends the album in a big angelic cloud of reverb.” \nFor Baxter\, the act of self-producing such a sonically and emotionally expansive body of work proved both exhilarating and arduous. “It really wore me out to spend all that time alone at the studio\, editing the hell out of this record; my heart definitely suffered\,” he says. “But I also had the guidance of my dad\, who was in my dreams all the time—if I was moving too fast\, I’d hear him telling me to slow down.” Another profound influence on the album-making process: the 2018 deaths of Baxter’s close friends Billy Swayze (a musician whose parents owned the rubber band company that became Thunder Sound) and Tiger Merritt (the vocalist/guitarist for Morning Teleportation\, who worked with Swayze in constructing the studio). “Billy and Tiger had been going up there since 2015\, and finally they turned it into a legit recording studio\,” he says. “It’s a very special place to me\, so they’re two of the four angels I decided to dedicate this record to.” \nEven in its most somber moments\, If I Were a Butterfly wholly fulfills Baxter’s mission of imparting a certain purposeful joy. “It’s been a weird few years\, but I think the big picture is for us to just exist and find love and be loved\, and try to see that all the daily bullshit is simply bugs on the windshield\,” says Baxter. “I hope that this album makes people feel the way I do whenever I listen to my favorite records\, and that it gives them a platform to dream on.” \nPURCHASE TICKETS\n\nZach Littleton and Johny Lovan have been aware of each other’s existence since third grade in Bowling Green\, Ky. — after all\, Littleton “dated” Lovan’s sister in that era “mostly because we were both big redheads and everyone said we should\,” he recalls. It took many years for them to start making music together\, and even longer for them to realize they worked best as a duo\, but since 2016\, Sugadaisy has quietly built a substantial fanbase by simply being its weird\, wonderful selves. \nIndeed\, Sugadaisy is no ordinary band\, largely because Littleton and Lovan are no ordinary musicians. One of their songs (“Space Cadet”) has nearly two million listens on Spotify simply thanks to word of mouth and some love from high-trafficking YouTube creators. They’ve performed live in shirts and ties and with their heads covered in pantyhose. With tongue more often than not firmly in cheek\, they’ve largely released tunes rooted in guitar-based folk and singer/songwriter fare\, but they also have punk\, hip-hop\, Spanish\, and math rock songs itching to emerge. \n  \n  \n  \nPURCHASE TICKETS
URL:https://firehouse.org/event/rayland-baxter/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/04/Rayland-Baxter_Website.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240818T200000
DTEND;TZID=America/New_York:20240818T220000
DTSTAMP:20260404T053504
CREATED:20240710T154301Z
LAST-MODIFIED:20240710T154301Z
UID:10000993-1724011200-1724018400@firehouse.org
SUMMARY:Tiger Saw - 25th Anniversary Concert
DESCRIPTION:$15/Members\n$18/Non-Members \nPurchase Tickets\n\nThe beloved indie rock band Tiger Saw formed in Newburyport\, MA in 1999. The band has since released nine albums\, and played almost 1000 shows across three continents. The ever-changing lineup has included 65 different players on record\, and even more in a live setting. \nOn August 18\, 2024\, the classic\, Newburyport-based lineup will reunite for one night only\, at the Firehouse Center for the Arts. This is the band that recorded Tiger Saw’s debut album “Blessed are the Trials We Will Find”\, which was released in March\, 2002 on Kimchee Records. This lineup hasn’t played together since 2003.  \nThe band will feature singer/guitarist Dylan Metrano\, cellist/singer Juliet Nelson\, guitarist John Ryan Gallagher\, bassist Jake Trussell\, and drummer Matt Kulik.  \nUpon its release\, Hallie Engel at Boston’s Weekly Dig raved of Blessed Are the Trials We Will Find\,  “Tiger Saw has created an album with no sharp edges; it’s music as delicate as a China teacup\, with beauty hiding in the empty spaces. Things move from wistfully slow to quiet pop and always seem like they could break out of the mold and explode midway-but never do. And that’s what makes this band so nice; the listener is never roused from the honeyed drowsiness Tiger Saw induces.” \nThere is something magical about the vocal harmonies between Metrano and Nelson\, and at the Firehouse show\, Tiger Saw will revisit their early songs from this era- songs which haven’t been played live in decades. \nSinger/songwriter Jason Anderson will open the show. Anderson lived in Newburyport for a brief time while collaborating with the band\, and now lives in New Brunswick\, Canada. Jason Anderson is an award-winning indie folk artist whose work is as anthemic as it is affecting. Personal and passionate\, his music crackles with life. MRTI Agency wrote “Jason sings directly to your heart\, and does it so vividly\, you can’t help but feel the effects of the performance long after you leave. Yes… he is THAT good.” \nDon’t miss this very special one-time event in a beautiful setting\, where it all began. \nPurchase Tickets
URL:https://firehouse.org/event/tiger-saw-25th-anniversary-concert/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/07/Tiger-Saw_Website.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240828T190000
DTEND;TZID=America/New_York:20240828T190000
DTSTAMP:20260404T053504
CREATED:20240412T161517Z
LAST-MODIFIED:20240412T161517Z
UID:10000976-1724871600-1724871600@firehouse.org
SUMMARY:An Evening with John Gorka
DESCRIPTION:$35/Members\n$40/Non-Members \nPurchase Tickets\n\nFrom New Jersey\, John Gorka is a world-renowned singer-songwriter who got his start at a neighborhood coffeehouse in eastern Pennsylvania. Though small\, Godfrey Daniels was and is one of the oldest and most venerable music institutions and has long been a hangout for music lovers and aspiring musicians. In the late 1970’s\, John was was one of these aspiring musicians. Although his academic coursework at Moravian College lay in Philosophy and History\, music began to offer paramount enticements. Soon he found himself living in the club’s basement and acting as resident MC and sound man\, encountering legendary folk troubadours like Canadian singer-songwriter Stan Rogers\, Eric Andersen\, Tom Paxton and Claudia Schmidt. Their brand of folk-inspired acoustic music inspired him\, and before long he was performing his own songs – mostly as an opener for visiting acts. Soon he started traveling to New York City\, where Jack Hardy’s legendary Fast Folk circle (a breeding ground for many a major singer-songwriter) became a powerful source of education and encouragement. Folk meccas like Texas’ Kerrville Folk Festival (where he won the New Folk Award in 1984) and Boston followed\, and his stunningly soulful baritone voice and original songwriting began turning heads. Those who had at one time inspired him – Suzanne Vega\, Bill Morrissey\, Nanci Griffith\, Christine Lavin\, Shawn Colvin – had become his peers. \nIn 1987\, the young Minnesota-based Red House Records caught wind of John’s talents and released his first album\, I Know\, to popular and critical acclaim. With unusual drive and focus\, John hit the ground running and\, when an offer came from Windham Hill’s Will Ackerman in 1989\, he signed with that label’s imprint\, High Street Records. He proceeded to record five albums with High Street over the next seven years: Land of the Bottom Line\, Jack’s Crows\, Temporary Road\, Out of the Valley and Between Five and Seven. His albums and his touring (over 150 nights a year at times) brought new accolades for his craft. His rich multifaceted songs full of depth\, beauty and emotion gained increasing attention from critics and audiences across the country\, as well as in Europe where his tours led him through Italy\, Belgium\, Scotland\, Ireland\, Holland\, Switzerland and Germany. He also started sharing tours with many notable friends—Nanci Griffith and Mary Chapin Carpenter among them. All this brought his music to an ever-widening audience. His video for the single “When She Kisses Me” found a long-term rotation on VH-1’s “Current Country\,” as well as on CMT and the Nashville Network. \nIn 1998\, after five successful recordings and seven years at Windham Hill/High Street\, John felt the need for a change and decided to return to his musical roots at Red House Records. The choice was driven\, in part\, by the artistic integrity that the label represents in an industry where the business of music too often takes precedence. The 1998 release After Yesterday marked a decidedly different attitude towards making music for John\, and his next release The Company You Keep held fast to his tradition of fine songwriting\, yet moved forward down new avenues. Its fourteen songs displays John’s creative use of lyrics and attention to detail. Andy Stochansky played drums and shared production credits with John and Rob Genadek. Ani DiFranco\, Mary Chapin Carpenter\, Lucy Kaplansky and Patty Larkin contributed stellar guitar work and vocals to this fan favorite. Old Futures Gone was informed by his life as husband and father of two young children and also contained the colorful experience of many hard years on the road. Writing in the Margins followed in 2006 and was an engaging collection of sweet and serious songs that spanned many musical genres—folk\, pop\, country and soul—and featured guest vocalists Nanci Griffith\, Lucy Kaplansky and Alice Peacock. Now with this\, his 11th studio album\, he returns to his roots with So Dark You See\, his most compelling and traditional album to date. \nIn addition to his 11 critically acclaimed albums\, John released a collector’s edition box featuring a hi-definition DVD and companion CD called The Gypsy Life. Windham Hill also released a collection of John’s greatest hits from the label called Pure John Gorka. In 2010\, he also released an album with his friends and Red House label-mates Lucy Kaplansky and Eliza Gilkyson under the name Red Horse. Getting high praise from critics and fans alike\, it landed on the Billboard Folk Charts and was one of the most played albums on folk radio. \nMany well known artists have recorded and/or performed John Gorka songs\, including Mary Chapin Carpenter\, Nanci Griffith\, Mary Black and Maura O’Connell. John has graced the stage of Austin City Limits\, Mountain Stage\, etown and has appeared on CNN. His new song “Where No Monuments Stand” is featured in the upcoming documentary Every War Has Two Losers\, about activist and Oregon Poet Laureate William Stafford (1914-1993). \nJohn Gorka lives in Minnesota and when not on the road\, he enjoys spending time with his wife and children. He continues to tour\, playing festivals\, theaters and clubs all over North America and Europe. \nPurchase Tickets
URL:https://firehouse.org/event/an-evening-with-john-gorka/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/04/Gorka_Website.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240830T190000
DTEND;TZID=America/New_York:20240830T190000
DTSTAMP:20260404T053504
CREATED:20240412T161909Z
LAST-MODIFIED:20240412T161909Z
UID:10000977-1725044400-1725044400@firehouse.org
SUMMARY:Big Yellow Taxi
DESCRIPTION:New England’s Premier Joni Mitchell Tribute Band\n$22/Members\n$25/Non-Members \nPurchase Tickets\n\nBig Yellow Taxi was created to explore Joni’s amazing music from it’s early folk roots\, to her pop masterpieces to her jazz influenced compositions\, Big Yellow Taxi brings Joni’s music alive. \nThe band features the expressive and soaring voice of Teresa Lorenço. Teresa’s vocals pays homage to Joni’s sweet\, husky\, and bell-like voice delivering an emotional journey through Joni’s expansive catalog.​ \nThe mission of the band is to present a show that immerses the audience in an intimate journey through many of Joni’s best loved and most powerful songs: a performance beyond mere imitation\, to delve into Joni’s musical intensity and genius\, to leave audiences entertained\, moved and elated. \nPurchase Tickets
URL:https://firehouse.org/event/big-yellow-taxi/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/04/Big-Yellow-Taxi_Website.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240907T200000
DTEND;TZID=America/New_York:20240907T200000
DTSTAMP:20260404T053504
CREATED:20240412T162242Z
LAST-MODIFIED:20240412T162242Z
UID:10000978-1725739200-1725739200@firehouse.org
SUMMARY:The Suitcase Junket
DESCRIPTION:$18/Members\n$20/Non-Members \nPurchase Tickets\n\n“A master of musical imagination” NPR World Cafe \n“The overall sound lands somewhere between the Avett Brothers and early\, dirty Black Keys. There is a Tom Waits vibe in the fuzzy megaphone reverb mic\, and something ancient\, near tribal\, in his whistles and moans” The Boston Globe \nThe Suitcase Junket is multi instrumentalist Matthew Lorenz. Solitary on stage and on the road\, his mind is crowded with characters\, narratives\, voices\, imagery\, sounds as wide and varied as mountain throat singers and roadhouse juke boxes\, plus newsreels of the planet’s destruction and salvage. With his 2020 release\, The End is New\, Lorenzs grand vision for the song overrides the how of it. The End is New is Lorenz’s sixth full length album as The Suitcase Junket\, his first for Renew Records/BMG. \nThe End is New was produced by trusted friend\, producer Steve Berlin of Los Lobos\, who produced The Suitcase Junket’s acclaimed 2018 release\, Mean Dog Trampoline. “I told Steve I wanted to make a doom folk record\,” says Lorenz. “That is what I had started calling my music when people asked. He was game. Neither of us knew quite what that meant at the time\, but I think we found out with The End is New. There is a heavy mix of hope and desperation in the sound and lyrically I was trying to be a mirror to society using truth\, myth\, confessions and stories.” \nPurchase Tickets
URL:https://firehouse.org/event/the-suitcase-junket-2/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/png:https://firehouse.org/wp-content/uploads/2024/04/Suitcase-Junket_Website.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240911T190000
DTEND;TZID=America/New_York:20240911T190000
DTSTAMP:20260404T053504
CREATED:20240412T163141Z
LAST-MODIFIED:20240412T163141Z
UID:10000979-1726081200-1726081200@firehouse.org
SUMMARY:YellowHouse Blues Band
DESCRIPTION:$22/Member\n$25/Non-Member \nPurchase Tickets\n\nThe YellowHouse Blues Band is a 9-piece\, high energy band with horns and multiple vocalists.  They’re known for putting their own take on popular songs and playing benefit concerts for causes we believe in\, selling out venues all over New England.  \nRooted in their love of the blues\, they bring a fresh\, fun approach to a variety of songs\, from classics to the modern day.  Their extensive song list encompasses material from Blues legends like Howlin’ Wolf and BB King\, to Motown stars like Aretha Franklin and Stevie Wonder\, and to modern day artists such as Eric Gales\, Tedeschi Trucks Band and Gary Clark\, Jr. \nFor their fundraising efforts\, they focus on organizations that serve at-risk youth\, and support access to music education.  To date\, they’ve raised over $150\,000 for non-profits in our community. \nPurchase Tickets
URL:https://firehouse.org/event/yellowhouse-blues-band/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/04/YellowHouse-blues-band_Website.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240913T190000
DTEND;TZID=America/New_York:20240913T190000
DTSTAMP:20260404T053504
CREATED:20240625T171434Z
LAST-MODIFIED:20240625T171434Z
UID:10000991-1726254000-1726254000@firehouse.org
SUMMARY:Duke Robillard Band
DESCRIPTION:$25/Members\n$30/Non-Members \nPurchase Tickets\n\n\nWhether it’s a song\, a style\, an idiom or an image\, Duke Robillard will render it with mastery\, power\, nuance and an unerring grasp of its essence. \nBorn Michael John Robillard on October 4\, 1948\, in Woonsocket\, R.I.\, Duke has carved out one of blues’ most illustrious legacies\, while also trodding some lofty related territories as a guitarist\, vocalist\, songwriter\, bandleader\, studio sideman\, producer\, label operator and educator. \nAfter showing an early affinity for music and guitar\, he founded Roomful Of Blues with pianist Al Copley in Westerly\, R.I.\, in 1967. By adding horns\, Roomful announced itself emphatically as the prototypical jump blues band\, and became a New England legend and a fixture beyond\, as did Duke himself. \nHis unsurpassed mastery of the guitar style of T-Bone Walker (later crystallized memorably in his 2004 release “Blue Mood”) was deservedly heralded\, but his breadth was also head-turning – from swing\, standards and ballads to rockers\, gutbucket Chicago blues and rockabilly. \nBy the time Duke left Roomful after a dozen years\, he was firmly established in the upper echelon of contemporary blues guitarists. Duke went from Roomful to a stint with rockabilly revivalist Robert Gordon and then to the first iteration of the Legendary Blues Band\, composed primarily of then-recent Muddy Waters sidemen. \nThe Duke Robillard Band debuted in 1981\, re-emerging as The Pleasure Kings with their eponymous 1984 album on Rounder. It and its sequel\, “Too Hot To Handle\,” burnished Duke’s songwriting portfolio; the 1987 jazz outing “Swing” (with saxophonist Scott Hamilton) underscored his versatility and remains a highlight. \nContinuing his solo career\, Duke replaced Jimmie Vaughan with The Fabulous Thunderbirds in 1990. He cut his own much-awaited straight blues album “Duke’s Blues” in 1993 for Canadian imprint Stony Plain\, leading eventually to a rewarding\, continuing and prolific alliance\, along with releases during the ensuing years on Point Blank/Virgin and Shanachie\, as well as instructional videos. He has also launched his own labels with Jesse Finkelstein\, Blue Duchess/Shining Stone. \nDuke’s prolificity has included producing albums by Billy Boy Arnold\, Joe Louis Walker\, Rosco Gordon\, Jimmy Witherspoon and Jay McShann\, Zuzu Bollin\, Billy Price and Otis Clay\, Sunny Crownover\, Bryan Lee and Al Basile as well as recording two collaborations with Herb Ellis\, a pairing with his successor in Roomful\, Ronnie Earl\, a seat in the New Guitar Summit with J. Geils and Gerry Beaudoin\, additional studio credits with Bob Dylan (the well-regarded 1997 “Time Out Of Mind”)\, Ruth Brown\, Johnny Adams\, Pinetop Perkins\, Snooky Pryor\, Al Copley\, Todd Sharpville and Tony Z\, and touring with Tom Waits in 2006. \nDuke’s resume is decorated with Grammy nominations\, Handy Awards and Blues Music Awards\, and other honors for his artistry\, recordings and productions within the United States and internationally. On his latest release\, “Duke Robillard and his Dames of Rhythm” on M.C. Records\, he wields an acoustic archtop and joins six thrushes for evocative and enjoyable renditions of 1920s and 1930s swing tunes; it’s a worthy successor to his 2016 BMA-winning “The Acoustic Blues And Roots Of Duke Robillard.” \nDuke remains based in Rhode Island and a whirlwind as a musician\, producer\, gardener and photographer. But wait\, there’s more: he’s now creating fine art abstract paintings\, too! At this point for Duke\, versatility and mastery should come as anything but a surprise; it just means more richness in a superlative career for us to celebrate. \nPurchase Tickets
URL:https://firehouse.org/event/duke-robillard-band/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/06/Duke-Robillard-Band_Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20240919T190000
DTEND;TZID=America/New_York:20240919T190000
DTSTAMP:20260404T053504
CREATED:20240412T163450Z
LAST-MODIFIED:20240412T163450Z
UID:10000980-1726772400-1726772400@firehouse.org
SUMMARY:BLKBOK
DESCRIPTION:$18/Members\n$20/Non-Members \nPurchase Tickets\n\nBorn and raised in Detroit’s inner-city\, BLKBOK (born Charles Wilson IIl)\, grew up in a music-filled house. While his parents and siblings were all musically inclined little Charles could always be found walking his chubby fingers up and down the piano keys. His Mom had no choice but to nurture her baby’s keyboard obsession and by the time he was 8\, BLKBOK was an acclaimed piano prodigy\, winning statewide accolades and college-level competitions. \nWhen it came to music\, most of the kids he grew up with pursued hip-hop adopting rapper names. However\, it’s no coincidence that Charles chose the name BLKBOK\, which echoes that of one of the greatest pianists and composers of all time. The tag is also an apt reflection of the elements that have contributed to the artist’s identity and symbolizes his colorful journey from pop and hip-hop culture to his critically acclaimed\, neo-classical debut album Black Book\, and various Mixtape projects and collaborations. \nBLKBOK is no stranger to the industry grind\, having hit the road throughout his career as a lead pianist or musical director with artists including Rihanna\, Justin Timberlake\, Demi Lovato\, Cirque Du Soleil\, John Mayer and more. BLKBOK’s explosive and immersive live music performances engage his audience with his incredible talent and channels his experience from sharing the stage with the World’s biggest performers. \nBLKBOK’s critically-acclaimed debut album Black Book\, served as a founding cornerstone at the Juneteenth Foundation’s Freedom Concert. His first Mixtape release\, (VRARI\, and current Mixtape project Angels Watching Over Me\, with world-renowned tenor Lawrence Brownlee\, illustrate the innovative and disruptive musical landscape that is BLKBOK. \nPurchase Tickets
URL:https://firehouse.org/event/blkbok-2/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/04/BLKBOK_Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241019T190000
DTEND;TZID=America/New_York:20241019T203000
DTSTAMP:20260404T053504
CREATED:20240913T151405Z
LAST-MODIFIED:20240913T151405Z
UID:10001027-1729364400-1729369800@firehouse.org
SUMMARY:An Evening with Melissa Ferrick
DESCRIPTION:$25 Members \n$30 Non-Members \nFirehouse Center for the Arts Presents An Evening with Melissa Ferrick! \n  \nPurchase Tickets\n\n  \nOn August 15th\, 2023\, Ferrick released Black Dress\, their first single in eight years\, via the venerable Kill Rock Stars Records. This release coincides with the 30th anniversary of Ferrick’s critically acclaimed major label debut\, Massive Blur. Ferrick will be celebrating the new release and her 30th Anniversary by touring a retrospective show titled\, Throughlines. In other big news\, Melissa has started a management company\, Drive Music Agency (D.M.A.)\, where she represents Brennan Wedl and Joh Chase.  \n  \nMelissa Ferrick is regarded in the industry and by their peers as one of the most prolific\, generous\, and hardworking people in the business. After opening for Morrissey in the U.S. and UK\, Ferrick signed with Atlantic Records at the age of 21 and released her debut and sophomore albums with them. Between 1996 and 1999\, Melissa released three albums with the Colorado-based indie label W.A.R. Records. In 2000\, Melissa launched the nationally distributed independent record label Right On Records. Ferrick put out two critically acclaimed albums with NY-based label MPress Records between 2011 and 2013. She’s released seventeen albums over the last twenty-five years and has won numerous awards for songwriting\, production\, and performance. Melissa has shared the stage with countless acts\, some of which include Morrissey\, Joan Armatrading\, Weezer\, Tegan and Sara\, Mark Cohen\, Paul Westerberg\, Bob Dylan\, John Hiatt\, Ani DiFranco\, k.d. Lang\, Suzanne Vega\, Shawn Colvin\, and many others.  \n    \nBesides her work in the music industry\, Ferrick is a Professor of the Practice at Northeastern University in the Music Department. Melissa teaches courses in the music business\, songwriting\, creative entrepreneurship\, demo recording and production\, live performance\, and the psychology of creativity. From 2013 – to 2019\, Melissa was an Associate Professor of Songwriting at Berklee College of Music. She holds an Ed.M from Harvard University.   \n  \nPurchase Tickets\n\n  \n  \n  \n  \n 
URL:https://firehouse.org/event/an-evening-with-melissa-ferrick-2/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/09/Copy-of-Ferrick_MC-Hero-1200-x-675-px.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241101T200000
DTEND;TZID=America/New_York:20241101T220000
DTSTAMP:20260404T053504
CREATED:20240911T173439Z
LAST-MODIFIED:20240911T173646Z
UID:10001024-1730491200-1730498400@firehouse.org
SUMMARY:Soggy Po Boys - Album Release
DESCRIPTION:$15/Member \n$18/Non-Member \n  \nSoggy Po Boys return for an epic Album Release Tour! \n  \nPurchase Tickets\n\nThis fall\, New Orleans jazz exponents The Soggy Po Boys will celebrate the release of their 6th\nfull-length album\, Leave the Light On\, in a series of not-to-be-missed release shows around the\nNortheast.\nThe Po Boys formed in 2012 to shake the walls of a local club on a Fat Tuesday but have honed\ntheir sound and become more than a Mardi Gras centerpiece. Exploring the vast musical\ntraditions of New Orleans and expanding their repertoire to look beyond NOLA jazz\, the band\nperforms traditional Caribbean tunes (it’s been said that New Orleans is the northernmost city in\nthe Caribbean)\, as well as Meters funk\, soul\, and brass band / street beat music.\nThe latest record captures the 7-piece band’s mission of embracing tradition without becoming a\nmuseum piece. By blending traditional and original songs\, the album embraces themes of joy\,\nfrustration\, loneliness\, love\, and sadness\, and explores these feelings with the group’s trademark\nhumorous sincerity.\nLeave the Light On was recorded at Acadia Recording Company in Portland\, Maine where it was\ntracked by Jason Phelps. Phelps helped to sculpt the sounds and provided a perfect environment\nto capture the essence of what the band loves most: playing live. The result is music that is very\nmuch grounded in the sonic liminal space that the Po Boys occupy best–happy-ish\, live-ish\,\nnew-ish\, and bull-ish.\n“These guys have done their homework\, worked it out on the bandstand and put in the hours in\nthe studio. It all adds up to a party you can bring with you when you want to treat your friends to\na real good time.” -Ben Schenck of New Orleans’ Panorama Jazz Band\n“There’s no retro to their sound\, no putting on airs\, this is living music respectful of the source\,\nplayed by consummate professionals.” -Syncopated Times \n  \nPurchase Tickets\n\n  \n 
URL:https://firehouse.org/event/soggy-po-boys-album-release/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/09/Untitled-design.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241119T190000
DTEND;TZID=America/New_York:20241119T190000
DTSTAMP:20260404T053504
CREATED:20240618T172549Z
LAST-MODIFIED:20240618T172613Z
UID:10000990-1732042800-1732042800@firehouse.org
SUMMARY:Chris Smither and The Motivators
DESCRIPTION:$37/Members\n$40/Non-Members \nPurchase Tickets\n\n  \nHaving distilled his own signature sound of blues and folk for over 50 years and twenty records\, CHRIS SMITHER is truly an American original. A profound songwriter\, Chris continues to draw deeply from the blues\, American folk music\, modern poets and philosophers. From his early days as the New Orleans transplant in the Boston folk scene\, through his wilderness years\, to his reemergence in the 1990s as one of America’s most distinctive acoustic performers\, Chris Smither continues to hone his distinctive sound. He has always traveled his own road and stayed true to his musical vision. He has developed and maintained loyal friendships over the years with kindred-spirited musicians like Bonnie Raitt\, Jorma Kaukonen\, and Tim O’Brien\, while at the same time throughout his career been inspired by and inspiring to today’s next-generation of musicians like The Suitcase Junket and Peter Mulvey. He may be best known for writing “Love You Like A Man” which Bonnie Raitt and\, more recently\, jazz great Diana Krall have covered. His music has been covered by numerous artists and featured in soundtrack albums\, independent films\, television\, and commercials. Reviewers continue to praise his dazzling guitar work\, gravelly voice and songwriting. \n \nChris Smither and The Motivators embark this November 2024 on a limited-edition\, rare band tour featuring musicians from the recording session for All About the Bones (2024 Signature Sounds)\, Chris’ 20th recording. The record sports the unmistakable guitar sound Chris has made his own meshed with spare\, brilliant songs\, delivered in a bone-wise\, hard-won voice. The Motivators are:  producer/musician David Goodrich\, Zak Trojano\, and BettySoo. \n \nNEW YORK TIMES: folk-blues stalwart Chris Smither has been contemplating mortality throughout his decades of songwriting; at 80\, he’s more convincing than ever”\n \nPurchase Tickets
URL:https://firehouse.org/event/chris-smither-and-the-motivators/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/06/Chris-Smither_Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241123T190000
DTEND;TZID=America/New_York:20241123T210000
DTSTAMP:20260404T053504
CREATED:20240927T142920Z
LAST-MODIFIED:20240927T142920Z
UID:10001039-1732388400-1732395600@firehouse.org
SUMMARY:Jeffrey Gaines
DESCRIPTION:$22 Members \n$25 Non-Members \n  \nPurchase Tickets\n\n  \nJeffrey Gaines has been heralded for his soul-searching lyrics and his powerful live performances.  With only his voice and a guitar for accompaniment\, Gaines has earned a reputation as a captivating performer\, entertaining his audiences worldwide. \n  \nGaines has released eight albums internationally\, which includes gems like the hit single “Hero In Me” from his debut album. The Boston Globe declared that “Gaines’ soulful\, wounded vocals make a case for him being one of pop’s finest singers…” Rolling Stone went on to call him “the voice of a generation” noting his body of work and his larger than life voice.  \n  \nJeffrey has toured the world headlining theaters and clubs\, and was named Pollstar’s Best Live Solo Artist. With compelling live performances gaining high respect from peers\, Gaines was asked to join tours as Special Guest with Tom Petty & The Heartbreakers in Europe\, Tracy Chapman\, and Stevie Nicks with Sheryl Crow. Gaines’ critical acclaim\, international tours and avid fan base have established him as one of the most treasured songwriters\, vocalists and inspirations in music today. \n  \n  \nPurchase Tickets
URL:https://firehouse.org/event/jeffreygaines/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/09/Jeffrey-Gaines-Spektrix.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241129T190000
DTEND;TZID=America/New_York:20241129T203000
DTSTAMP:20260404T053504
CREATED:20240905T203040Z
LAST-MODIFIED:20240905T203040Z
UID:10001022-1732906800-1732912200@firehouse.org
SUMMARY:Christmas with the King!
DESCRIPTION:$25 Members \n$30 Non-Members \nPurchase Tickets\n\nGet ready to rock around the Christmas tree as New England’s #1 award-winning and internationally known ELVIS PRESLEY Tribute Artist\, RICK ANTHONY\, backed by his KING-SIZED show band\, “The King’s Court” will take the stage live and in person presented by Th Firehouse Center For the Arts in Newburyport\, MA. This show is a unique production in the New England Area. None other like it! Experience the magic of Elvis Presley’s timeless hits and festive holiday classics. Don’t miss this unforgettable evening of music\, laughter and holiday cheer. Get your blue suede shoes ready and celebrate Christmas with the King – Holiday Tribute Spectacular! \nPurchase Tickets
URL:https://firehouse.org/event/christmas-with-the-king/2024-11-29/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/09/image0.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241130T190000
DTEND;TZID=America/New_York:20241130T203000
DTSTAMP:20260404T053504
CREATED:20240905T203040Z
LAST-MODIFIED:20240905T203040Z
UID:10001023-1732993200-1732998600@firehouse.org
SUMMARY:Christmas with the King!
DESCRIPTION:$25 Members \n$30 Non-Members \nPurchase Tickets\n\nGet ready to rock around the Christmas tree as New England’s #1 award-winning and internationally known ELVIS PRESLEY Tribute Artist\, RICK ANTHONY\, backed by his KING-SIZED show band\, “The King’s Court” will take the stage live and in person presented by Th Firehouse Center For the Arts in Newburyport\, MA. This show is a unique production in the New England Area. None other like it! Experience the magic of Elvis Presley’s timeless hits and festive holiday classics. Don’t miss this unforgettable evening of music\, laughter and holiday cheer. Get your blue suede shoes ready and celebrate Christmas with the King – Holiday Tribute Spectacular! \nPurchase Tickets
URL:https://firehouse.org/event/christmas-with-the-king/2024-11-30/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/09/image0.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241217T150000
DTEND;TZID=America/New_York:20241217T163000
DTSTAMP:20260404T053504
CREATED:20241010T211454Z
LAST-MODIFIED:20241023T180825Z
UID:10001040-1734447600-1734453000@firehouse.org
SUMMARY:A Sinatra Christmas
DESCRIPTION:$32 / Members \n$35 / Non-Members \nPurchase Tickets\n\n  \n“A Sinatra Christmas” is coming to The Firehouse Center with all your holiday favorites like “Jingle Bells” & “White Christmas”\, mixed with Frank’s iconic beloved songs including “My Way” & “New York\, New York”\, performed by Rich DiMare and The Ron Poster Trio. \n  \nRich DiMare is an American singer who specializes in the Frank Sinatra songbook and has 20 years experience providing entertainment across the country. Rich spent 15 years live on-air at Boston’s highest rated morning show\, KISS 108’s Matty in the Morning\, and as a host on Boston’s Fox25 TV. Because of this experience in media and music\, Rich is a seasoned showman. \nRon Poster is a Boston based pianist and keyboard artist who specializes in Popular & Classic American music as a soloist and with small groups. He’s been the organist for the Boston Bruins at TD Garden since 2001 and also toured in the 90’s and early 2000’s with the band Missing Persons. \nRich and Ron’s understanding of the Sinatra songbook\, coupled with their interactions on stage makes this “Ol’ Blue Eyes” experience something Rat Pack lovers won’t forget! \n  \nPurchase Tickets
URL:https://firehouse.org/event/a-sinatra-christmas-2/2024-12-17/1/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Family,Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/10/A-Sinatra-Christmas_Website-1920-x-1080-px.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241217T190000
DTEND;TZID=America/New_York:20241217T213000
DTSTAMP:20260404T053504
CREATED:20241010T211454Z
LAST-MODIFIED:20241023T180825Z
UID:10001041-1734462000-1734471000@firehouse.org
SUMMARY:A Sinatra Christmas
DESCRIPTION:$32 / Members \n$35 / Non-Members \nPurchase Tickets\n\n  \n“A Sinatra Christmas” is coming to The Firehouse Center with all your holiday favorites like “Jingle Bells” & “White Christmas”\, mixed with Frank’s iconic beloved songs including “My Way” & “New York\, New York”\, performed by Rich DiMare and The Ron Poster Trio. \n  \nRich DiMare is an American singer who specializes in the Frank Sinatra songbook and has 20 years experience providing entertainment across the country. Rich spent 15 years live on-air at Boston’s highest rated morning show\, KISS 108’s Matty in the Morning\, and as a host on Boston’s Fox25 TV. Because of this experience in media and music\, Rich is a seasoned showman. \nRon Poster is a Boston based pianist and keyboard artist who specializes in Popular & Classic American music as a soloist and with small groups. He’s been the organist for the Boston Bruins at TD Garden since 2001 and also toured in the 90’s and early 2000’s with the band Missing Persons. \nRich and Ron’s understanding of the Sinatra songbook\, coupled with their interactions on stage makes this “Ol’ Blue Eyes” experience something Rat Pack lovers won’t forget! \n  \nPurchase Tickets
URL:https://firehouse.org/event/a-sinatra-christmas-2/2024-12-17/2/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Family,Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/10/A-Sinatra-Christmas_Website-1920-x-1080-px.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20241221T100000
DTEND;TZID=America/New_York:20241221T110000
DTSTAMP:20260404T053504
CREATED:20241031T155811Z
LAST-MODIFIED:20241128T144651Z
UID:10001054-1734775200-1734778800@firehouse.org
SUMMARY:Christmas Family Sing-A-Long
DESCRIPTION:$7/ Children & Students \n$10/ Adults \n  \nThe Firehouse Center for the Arts presents the return of our Family Christmas Sing-A-Long! Bring the young ones\, the young at heart\, and the entire family for a morning of your favorite Christmas carols\, songs\, and classics. Enjoy a reading of ‘Twas the Night Before Christmas and a special guest appearance by the jolly man himself for photos! \n  \nPurchase Tickets\n\n 
URL:https://firehouse.org/event/christmas-family-sing-a-long/
LOCATION:MA
CATEGORIES:Family,Music,Youth
ATTACH;FMTTYPE=image/png:https://firehouse.org/wp-content/uploads/2024/10/Sing-A-Long_Website.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250103T190000
DTEND;TZID=America/New_York:20250103T210000
DTSTAMP:20260404T053504
CREATED:20241028T171822Z
LAST-MODIFIED:20241220T194648Z
UID:10001052-1735930800-1735938000@firehouse.org
SUMMARY:An Evening with Tom Rush
DESCRIPTION:$50 / All Tickets \n*Membership Comps are NOT applicable to this event \n  \nPurchase Tickets\n\n  \nTom Rush is a gifted musician and performer\, whose shows offer a musical celebration…a journey into the tradition and spectrum of what music has been\, can be\, and will become. His distinctive guitar style\, wry humor and warm\, expressive voice have made him both a legend and a lure to audiences around the world. His shows are filled with the rib-aching laughter of terrific story-telling\, the sweet melancholy of ballads and the passion of gritty blues \nRush’s impact on the American music scene has been profound. He helped shape the folk revival in the ’60s and the renaissance of the ’80s and ’90s\, his music having left its stamp on generations of artists. James Taylor told Rolling Stone\, “Tom was not only one of my early heroes\, but also one of my main influences.” Country music star Garth Brooks has credited Rush with being one of his top five musical influences. Rush has long championed emerging artists. His early recordings introduced the world to the work of Joni Mitchell\, Jackson Browne and James Taylor\, and in more recent years his Club 47 concerts have brought artists such as Nanci Griffith and Shawn Colvin to wider audiences when they were just beginning to build their own reputations. \nTom Rush began his musical career in the early ’60s playing the Boston-area clubs while a Harvard student. The Club 47 was the flagship of the coffee house fleet\, and he was soon holding down a weekly spot there\, learning from the legendary artists who came to play\, honing his skills and growing into his talent. He had released two albums by the time he graduated. \nRush displayed then\, as he does today\, an uncanny knack for finding wonderful songs\, and writing his own – many of which have become classics re-interpreted by new generations.\n(It is testimony to the universality of his appeal that his songs have been folk hits\, country hits\, heavy metal and rap hits.) Signed by Elektra in 1965\, Rush made three albums for them\, culminating in The Circle Game\, which\, according to Rolling Stone\, ushered in the singer/songwriter era. \nIn the early ’70s\, folk turned to folk-rock\, and Rush\, ever adaptable\, saw more room to stretch out. Recording now for Columbia\, he toured tirelessly with a five man band\, playing concerts across the country. Endless promotional tours\, interviews\, television appearances\, and recording sessions added up to five very successful but exhausting years\, after which Tom decided to take a break and “recharge” his creative side at his New Hampshire farm. \nRush returned with a splash in 1981\, selling out Boston’s prestigious Symphony Hall in advance. Time off had not only rekindled Rush’s love of music\, it had re-ignited music audiences’ love of Rush. \nHe instinctively knew that his listeners were interested in both the old and the new\, and set out to create a musical forum like the Club 47 of the early sixties to allow artists and newcomers to share the same stage. In 1982\, he tried it out at Symphony Hall. The show was such a hit it became an annual event\, growing to fill two\, then three nights\, and the Club 47 series was born. Crafting concerts that combined well known artists such as Bonnie Raitt or Emmylou Harris with (then) unknowns like Alison Krauss or Mark O’ Connor\, Rush took the show on the road. From the ’80s to the present day\, Club 47 events have filled the nation’s finest halls to rave reviews\, and have been broadcast as national specials on PBS and NPR. \nIn 1999\, Columbia/Legacy released a Tom Rush retrospective album that covers his recorded musical history from 1962 to the present\, including tracks recorded for Columbia\, Elektra\, Prestige and his independent years. Entitled “The Very Best of Tom Rush: No Regrets”\, the 17-track compilation includes as a bonus a brand new Tom Rush composition\, “River Song\,” which features vocal contributions from Grammy winners Shawn Colvin and Marc Cohn. \nA live CD\, “Trolling for Owls” released in 2003 and published by Tom’s NIGHTLIGHT RECORDINGS\, captures Tom’s complete performance and includes\, for the first time\, some of the spoken stories that have endeared him to audiences. \n“How I Play (some of) My Favorite Songs”\, a DVD released in 2005 by Homespun Tapes. It shows how he plays ten of the memorable songs and guitar arrangements that have long made him one of America’s most beloved performers. \nIn 2009\, Tom recorded his first studio CD in 35 years. Recorded in Nashville\, “What I Know” was produced by Tom’s long-time friend Jim Rooney and includes original Tom Rush material\, as well as harmonies by Emmylou Harris\, Bonnie Bramlett and Nanci Griffith. \nToday\, Tom Rush lives in New Hampshire when he’s not touring. His voice has grown even richer and more melodic with training\, and his music\, like a fine wine\, has matured and ripened in the blending of traditional and modern influences. He’s doing what he loves\, and what audiences love him for: writing and playing …passionately\, tenderly…knitting together the musical traditions and talents of our times  \n  \nPurchase Tickets
URL:https://firehouse.org/event/tom-rush-25/2025-01-03/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/10/Tom-Rush-album-art-for-3-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250104T190000
DTEND;TZID=America/New_York:20250104T210000
DTSTAMP:20260404T053504
CREATED:20241028T171822Z
LAST-MODIFIED:20241220T194648Z
UID:10001053-1736017200-1736024400@firehouse.org
SUMMARY:An Evening with Tom Rush
DESCRIPTION:$50 / All Tickets \n*Membership Comps are NOT applicable to this event \n  \nPurchase Tickets\n\n  \nTom Rush is a gifted musician and performer\, whose shows offer a musical celebration…a journey into the tradition and spectrum of what music has been\, can be\, and will become. His distinctive guitar style\, wry humor and warm\, expressive voice have made him both a legend and a lure to audiences around the world. His shows are filled with the rib-aching laughter of terrific story-telling\, the sweet melancholy of ballads and the passion of gritty blues \nRush’s impact on the American music scene has been profound. He helped shape the folk revival in the ’60s and the renaissance of the ’80s and ’90s\, his music having left its stamp on generations of artists. James Taylor told Rolling Stone\, “Tom was not only one of my early heroes\, but also one of my main influences.” Country music star Garth Brooks has credited Rush with being one of his top five musical influences. Rush has long championed emerging artists. His early recordings introduced the world to the work of Joni Mitchell\, Jackson Browne and James Taylor\, and in more recent years his Club 47 concerts have brought artists such as Nanci Griffith and Shawn Colvin to wider audiences when they were just beginning to build their own reputations. \nTom Rush began his musical career in the early ’60s playing the Boston-area clubs while a Harvard student. The Club 47 was the flagship of the coffee house fleet\, and he was soon holding down a weekly spot there\, learning from the legendary artists who came to play\, honing his skills and growing into his talent. He had released two albums by the time he graduated. \nRush displayed then\, as he does today\, an uncanny knack for finding wonderful songs\, and writing his own – many of which have become classics re-interpreted by new generations.\n(It is testimony to the universality of his appeal that his songs have been folk hits\, country hits\, heavy metal and rap hits.) Signed by Elektra in 1965\, Rush made three albums for them\, culminating in The Circle Game\, which\, according to Rolling Stone\, ushered in the singer/songwriter era. \nIn the early ’70s\, folk turned to folk-rock\, and Rush\, ever adaptable\, saw more room to stretch out. Recording now for Columbia\, he toured tirelessly with a five man band\, playing concerts across the country. Endless promotional tours\, interviews\, television appearances\, and recording sessions added up to five very successful but exhausting years\, after which Tom decided to take a break and “recharge” his creative side at his New Hampshire farm. \nRush returned with a splash in 1981\, selling out Boston’s prestigious Symphony Hall in advance. Time off had not only rekindled Rush’s love of music\, it had re-ignited music audiences’ love of Rush. \nHe instinctively knew that his listeners were interested in both the old and the new\, and set out to create a musical forum like the Club 47 of the early sixties to allow artists and newcomers to share the same stage. In 1982\, he tried it out at Symphony Hall. The show was such a hit it became an annual event\, growing to fill two\, then three nights\, and the Club 47 series was born. Crafting concerts that combined well known artists such as Bonnie Raitt or Emmylou Harris with (then) unknowns like Alison Krauss or Mark O’ Connor\, Rush took the show on the road. From the ’80s to the present day\, Club 47 events have filled the nation’s finest halls to rave reviews\, and have been broadcast as national specials on PBS and NPR. \nIn 1999\, Columbia/Legacy released a Tom Rush retrospective album that covers his recorded musical history from 1962 to the present\, including tracks recorded for Columbia\, Elektra\, Prestige and his independent years. Entitled “The Very Best of Tom Rush: No Regrets”\, the 17-track compilation includes as a bonus a brand new Tom Rush composition\, “River Song\,” which features vocal contributions from Grammy winners Shawn Colvin and Marc Cohn. \nA live CD\, “Trolling for Owls” released in 2003 and published by Tom’s NIGHTLIGHT RECORDINGS\, captures Tom’s complete performance and includes\, for the first time\, some of the spoken stories that have endeared him to audiences. \n“How I Play (some of) My Favorite Songs”\, a DVD released in 2005 by Homespun Tapes. It shows how he plays ten of the memorable songs and guitar arrangements that have long made him one of America’s most beloved performers. \nIn 2009\, Tom recorded his first studio CD in 35 years. Recorded in Nashville\, “What I Know” was produced by Tom’s long-time friend Jim Rooney and includes original Tom Rush material\, as well as harmonies by Emmylou Harris\, Bonnie Bramlett and Nanci Griffith. \nToday\, Tom Rush lives in New Hampshire when he’s not touring. His voice has grown even richer and more melodic with training\, and his music\, like a fine wine\, has matured and ripened in the blending of traditional and modern influences. He’s doing what he loves\, and what audiences love him for: writing and playing …passionately\, tenderly…knitting together the musical traditions and talents of our times  \n  \nPurchase Tickets
URL:https://firehouse.org/event/tom-rush-25/2025-01-04/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/10/Tom-Rush-album-art-for-3-scaled.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250111T193000
DTEND;TZID=America/New_York:20250111T210000
DTSTAMP:20260404T053504
CREATED:20241212T150031Z
LAST-MODIFIED:20241211T222453Z
UID:10000986-1736623800-1736629200@firehouse.org
SUMMARY:Hayley Reardon
DESCRIPTION:The Firehouse Center for the Arts Presents Hayley Reardon\n$18\n*This event qualifies for all p/p member discounts \nThe first in our Singer/Songwriter Series\, Hayley returns to the Arakelian Stage for an intimate evening of music. \nPurchase Tickets\n\nHayley Reardon is a critically acclaimed folk-pop singer and songwriter\, and a storyteller in the truest sense of the word. Raised in a coastal Massachusetts town north of Boston\, Reardon dove head first into music at the young age of 15\, and has dedicated nearly half of her life to writing\, recording and performing music around the world. The artist’s songs have been featured on multiple Spotify editorial playlists and Apple Music playlists\, with over 7 million streams on Apple Music alone. She has shared the stage with renowned artists including Lori McKenna\, Rodney Crowell and Anaïs Mitchell\, among others.  \nReardon’s creative journey thus far has been distinctly international. Carrying her songs and stories all over the globe\, she has performed hundreds upon hundreds of shows in over 13 countries – gathering experiences\, inspiration and soulful connections. Reardon’s travels include a six-month artist-in-residency stay in Dachau\, Germany in 2021. Her ever-deepening music carries a lyrical and melodic weight beyond her years\, being described as “brilliantly moving folk/pop with a lyrical depth and soul” (Performer Magazine) and “a melancholy little masterpiece” (American Songwriter Magazine). No Depression writes “Reardon is truly a treasure.”  \nThe past year has been one of artistic abundance and growth for Reardon. Her EP\, Changes\, which was recorded in Barcelona with renowned Spanish guitarist Pau Figueres as producer and collaborator\, released in July 2023. The title track features an original bilingual duet with Catalan sensation Judit Neddermann\, with whom Reardon formed a deep musical bond during her time in Spain and who appears on the EP courtesy of Universal Music Spain. Along with her own releases\, Reardon co-wrote and sings on Seth Glier’s haunting new single My Body Remembers. She was also nominated as 2023 Vocalist of the Year by the Boston Music Awards.  \nAt the start of 2024\, Reardon released her first live concert album\, “Live at Starseed Studios”. The project features 13 tracks from Reardon’s songbook with special acoustic arrangements by Pau Figueres on flamenco guitar and Arnau Figueres on bass. Reardon also recently returned to Spain to record new music with the Figueres brothers at The Sound of Wood studio near Barcelona. According to Reardon\, her upcoming seven-song project\, to be released in August 2024\, takes a more organic approach with vocals and instrumentation tracked live with a five-piece band. Her extensive travels\, recent move back to the States\, and regrounding in a place close to her roots has given the songwriter much to contemplate. In “The Way I Am”\, an upcoming single from the project\, Reardon reflects\, “I needed all this space just to feel the ache that has always been under everything.” These new songs explore uncharted emotional depths for an artist who is already known for her capacity to access tenderness. \nPurchase Tickets
URL:https://firehouse.org/event/hayley-reardon/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Family,Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/05/Hayley-Reardon_Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250125T190000
DTEND;TZID=America/New_York:20250125T210000
DTSTAMP:20260404T053504
CREATED:20241209T130052Z
LAST-MODIFIED:20241206T165232Z
UID:10001060-1737831600-1737838800@firehouse.org
SUMMARY:Steve Forbert
DESCRIPTION:The Firehouse Center for the Arts presents the first in our 2025 Folk/Americana Series\,  Steve Forbert! \nPurchase Tickets\n\n$30 / Non-Members \n$27 / Members \n*Firehouse p/p event \n  \nSteve Forbert is a true American treasure\, a fact underscored by his 21st album\, Daylight Savings Time. Like all his albums of original songs\, it’s suffused with what venerated rock journalist Robert Christgau discerned as his “omnivorously observant” songwriting\, marked by Steve’s gift for finding the deeper meaning and magic within the spectrum of everyday moments\, as well as his abundant melodic and poetic enchantment. \nAs Forbert approaches the milestone of his 70th birthday\, Daylight Savings Time contemplates and celebrates the proverbial ‘extra hour of daylight’ that comes with the time change. “Yeah to chirping crickets and to daylight savings time!” he sings on the album’s first single “Sound Existence\,” “The best ain’t yet to come\, but you could still get by just fine.” \nSteve arrived in New York City from his Meridian\, Mississippi hometown in 1976. He slotted seamlessly into the “new folk” revival in such Manhattan clubs as Folk City\, The Bitter End\, and Kenny’s Castaways while taking the stage at CBGB\, ground zero of the burgeoning new wave/punk movement. He also busked on the streets of Greenwich Village and in the elegant confines of Grand Central Station. \nHe quickly won a major label deal with Nemperor/CBS Records and released his heralded debut\, Alive on Arrival\, in 1978. His next album\, Jackrabbit Slim\, released in 1979\, brought wider renown to Forbert with its #11 pop chart hit “Romeo’s Tune.” It provided the stature for his troubadour existence\, which has kept him active ever since as “a striking performer\, very much worth seeing and hearing\,” according to the New York Times.  \n  \nMembers Early Access – Wednesday\, December 11 \nPublic Ticket Access – Friday\, December 13 \n  \nPurchase Tickets
URL:https://firehouse.org/event/forbert-2025/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/12/Steve-Forbert_FH-Website690-x-375-px.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250129T170000
DTEND;TZID=America/New_York:20250129T180000
DTSTAMP:20260404T053504
CREATED:20250114T175100Z
LAST-MODIFIED:20250116T183742Z
UID:10001063-1738170000-1738173600@firehouse.org
SUMMARY:The Eras Night: A Musical Journey
DESCRIPTION:Wedding and Event Professionals Sarah Lord and Callie Eiserman present: The Eras Night: A Musical Journey \nIntroducing the Glass Artists\, a sought-after Boston string quartet whose innovative arrangements breathe new life into Swift’s most beloved hits. This isn’t just a concert—it’s a musical transformation that bridges generations and genres.Each performance promises a unique journey through Taylor Swift’s musical eras\, reimagined through the delicate and powerful sounds of classical strings. The Glass Artists will navigate through Swift’s storytelling\, from the country-tinged beginnings to the pop anthems and indie folk explorations. \nCalling All Swifties!\nGather your squad\, dress in your favorite era-inspired outfit\, and prepare for an unforgettable musical experience. Whether you’re a die-hard fan or a classical music enthusiast\, “The Eras Night” offers something magical for everyone. \nPurchase Tickets\n\n 
URL:https://firehouse.org/event/eras-night-2/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Family,Music
ATTACH;FMTTYPE=image/png:https://firehouse.org/wp-content/uploads/2024/12/Website-png-690x375-1.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250129T190000
DTEND;TZID=America/New_York:20250129T200000
DTSTAMP:20260404T053504
CREATED:20241216T230003Z
LAST-MODIFIED:20241218T175410Z
UID:10001064-1738177200-1738180800@firehouse.org
SUMMARY:The Eras Night: A Musical Journey
DESCRIPTION:Wedding and Event Professionals Sarah Lord and Callie Eiserman present: The Eras Night: A Musical Journey \nIntroducing the Glass Artists\, a sought-after Boston string quartet whose innovative arrangements breathe new life into Swift’s most beloved hits. This isn’t just a concert—it’s a musical transformation that bridges generations and genres.Each performance promises a unique journey through Taylor Swift’s musical eras\, reimagined through the delicate and powerful sounds of classical strings. The Glass Artists will navigate through Swift’s storytelling\, from the country-tinged beginnings to the pop anthems and indie folk explorations. \nCalling All Swifties!\nGather your squad\, dress in your favorite era-inspired outfit\, and prepare for an unforgettable musical experience. Whether you’re a die-hard fan or a classical music enthusiast\, “The Eras Night” offers something magical for everyone. \nPurchase Tickets\n\n 
URL:https://firehouse.org/event/eras-night/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Family,Music
ATTACH;FMTTYPE=image/png:https://firehouse.org/wp-content/uploads/2024/12/Website-png-690x375-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250201T190000
DTEND;TZID=America/New_York:20250201T210000
DTSTAMP:20260404T053504
CREATED:20250106T140020Z
LAST-MODIFIED:20250106T182053Z
UID:10001075-1738436400-1738443600@firehouse.org
SUMMARY:Renee and the Renegades
DESCRIPTION:Renee and the Renegades returns to the stage for a country spectacular! Joined by Slack and KT’s Project\, this is bound to be a fantastic night \n$20 / All Tickets \nPurchase Tickets\n\n“Renee Leavitt is the real deal\,” said legendary rock n’ roller\, Gary U.S. Bonds. Renee started singing at the age of three and entered her first contest at the age of eight\, finishing in 2nd place overall. Leavitt is building upon her fan base through her songwriting abilities\, catchy tunes\, pure voice\, poised stage presence and her “girl next door\,” blue eyed\, strawberry blonde\, country look. \nTo date\, this country sensation has 31 original songs. Her band\, Renee and the Renegades\, has what fans and their manager call a ‘unique’ sound. There is no one in country music that can scratch an itch for one of their original scores. Her Karen Carpenter like voice mixes Zydeco\, Irish Folk\, Pop\, Rock\, and Vintage Country. Some have characterized it as: Americana. \nRenee has been played on several radio stations in New England and Ireland\, including WKLB Country 102.5\, The Bull 101.7\, WOKQ 97.5\, the River 92.5\, North Shore 104.9\, WRKO 680\, WMEX 1510 and Ireland’s own KFM Radio. Leavitt will soon be heard on PBS\, singing the theme song “Friends For Life” for a Children’s Animated Series\, called Charlie Horse. \nRenee has even performed on stage with the likes of Gary U.S. Bonds on the Gary Leavitt and Friends show and Southside Johnny at Boarding House Park in Lowell MA. \n  \nPurchase Tickets
URL:https://firehouse.org/event/renee25/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/png:https://firehouse.org/wp-content/uploads/2025/01/Renee-the-Renegades-FH-Website690-x-375-px.png
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250215T193000
DTEND;TZID=America/New_York:20250215T213000
DTSTAMP:20260404T053504
CREATED:20241216T170039Z
LAST-MODIFIED:20250206T163619Z
UID:10001062-1739647800-1739655000@firehouse.org
SUMMARY:Antje Duvekot & Vance Gilbert
DESCRIPTION:The Firehouse Center for the Arts Presents: Antje Duvekot and Vance Gilbert! \n$30 / All Tickets \nPurchase Tickets\n\n  \n \n  \nOriginally born in Germany and transplanted to the US as a young teen\, Antje Duvekot began to hone her observational skills through a lens of biculturalism when she picked up a guitar during that move. Some years later\, the confessional folk of Dar Williams and Ani DiFranco gave her license to share her observations\, no matter how personal\, in her first emerging songs. She has never let go of that tenet of vulnerability. “Duvekot has gotten hotter\, faster than any local songwriter in recent memory. Her songs feel at once fresh faced and firmly rooted\, driven by the whispery sensuality of her voice. She believes in the redemptive power of the shared secret; and is utterly unafraid to mine the darkest corners of her life for songs that turn fear into resilience and isolation into community.” The Boston Globe \n  \nConsidered by many to be an integral part of the national folk scene – and one of the originators of the finally recognized R&B/Folk/Jazz crossover-sub-genre – this Boston-based stalwart was born and raised in\nthe Philadelphia area. In 1992\, Shawn Colvin invited him to be special guest on her Fat City tour. “With the voice of an angel\, the wit of a devil\, and the guitar playing of a god…”\, swooned The Fort Worth Star Telegram about one of those shows. Vance’s newest album\, “The Mother Of Trouble”\, features Grammy winner Lori McKenna on background vocals\, Juno award recipient and Bonnie Raitt Grammy hit song co-writer Joey Landreth on guitars\, and master mandolinist Joe K. Walsh\, among others. Gilbert has recorded 14 albums to date\, including 5 for Philo/Rounder Records. He’s been the opener of choice for artists as varied as Arlo Guthrie\, Anita Baker\, The Milk Carton Kids\, and Southside Johnny\, and the mid 2000s found Gilbert opening 150+ shows for comic legend George Carlin! He’s currently the regular opener for Mad About You/Stranger Things star Paul Reiser’s stand-up shows\, and he maintains his own busy acoustic music touring schedule. \n \nPurchase Tickets
URL:https://firehouse.org/event/duvekot/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/12/ADVG_Website.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250314T193000
DTEND;TZID=America/New_York:20250314T213000
DTSTAMP:20260404T053504
CREATED:20241216T170049Z
LAST-MODIFIED:20241216T160623Z
UID:10000937-1741980600-1741987800@firehouse.org
SUMMARY:Traditional Irish Session
DESCRIPTION:The Firehouse Center for the Arts Presents: A Trad Session Featuring the cast of ONCE\, the Musical\n$25 / All Tickets \n*This event is eligible for all (p/p) member benefits \nJoin us for a very special evening to kick-off St. Patrick’s Day weekend. Relive the magic of our 2022 production of Once as we welcome the cast back with their very own interpretations of all the Irish Trads – performed live. From your favorite drinking songs to moving ballads\, this group effortlessly spins your favorite Irish tunes with breathtaking energy. \n  \nPurchase Tickets
URL:https://firehouse.org/event/trad/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music,Special Events
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/02/Traditional-Irish-Session_Website-690-x-375-px.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250316T180000
DTEND;TZID=America/New_York:20250316T210000
DTSTAMP:20260404T053504
CREATED:20241216T170054Z
LAST-MODIFIED:20250206T163814Z
UID:10000938-1742148000-1742158800@firehouse.org
SUMMARY:Bailey's Mistake
DESCRIPTION:The Firehouse Center for the Arts Presents: Bailey’s Mistake! \n$25 / All Tickets \n  \nFormed along Maine’s rocky coastline\, Bailey’s Mistake is a neo traditional\, Celtic-inspired folk band playing ancient songs of the sea\, Newfoundland\, the auld sod\, as well as New England. Powered by guitar\, bagpipes\, tin whistle\, bass and drums\, their highly danceable music invites merry hearts to sing along and feel the power of ancient music as it translates into the 21st century. \n \nPurchase Tickets
URL:https://firehouse.org/event/baileys-mistake/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music,Special Events
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/02/Baileys-Mistake_Website-690-x-375-px.jpg
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BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250317T190000
DTEND;TZID=America/New_York:20250317T210000
DTSTAMP:20260404T053504
CREATED:20241216T170033Z
LAST-MODIFIED:20250317T161532Z
UID:10001061-1742238000-1742245200@firehouse.org
SUMMARY:Máiréad Nesbitt & the Jordan Tirrell-Wysocki Trio
DESCRIPTION:The Firehouse Center for the Arts Presents… \nMáiréad Nesbitt & the Jordan Tirrell-Wysocki Trio\n$50 / All Tickets \nPurchase Tickets\n\nA Grammy® and Emmy® nominated artist and composer\, Máiréad Nesbitt has enchanted millions around the world as the featured Celtic violinist and founding member of the globetrotting music phenomenon Celtic Woman. Loyal fans of all ages\, across geographical and cultural boundaries far beyond the musical heritage of Ireland\, have adored her beguiling stage presence and versatile instrumental talents. She is the featured violin soloist on eleven Celtic Woman albums that all reached the number one slot on the Billboard World Music Chart.  \nSee Máiréad as featured soloist with Lindsey Sterling in Disney’s newest Epcot show Harmonious Live on Disney+ for the 50th Anniversary hosted by Idina Menzel.  \nHailed as “A demon of a fiddle player” by the NY Times\, Máiréad has emerged as one of Ireland’s most in-demand musicians. Her multitude of awards include Irish Music Magazine’s Best Traditional and Multi-Instrumentalist Artist awards. Máiréad’s solo albums\, Raining Up and Hibernia\, have charted on four different Billboard charts. The album Devil’s Bit Sessions features three generations of her family and was recorded in the three-hundred-year-old Nesbitt family home in County Tipperary\, Ireland. Máiréad has performed at both the White House and the Pentagon for four U.S. presidents. Additionally\, among the hundreds of famous venues where she has performed are Carnegie Hall\, Radio City Music Hall\, Red Rocks Colorado and Hyde Park in London. \n \nPurchase Tickets
URL:https://firehouse.org/event/mairead-nesbitt/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2024/12/Nesbitt_Website.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20250321T193000
DTEND;TZID=America/New_York:20250321T210000
DTSTAMP:20260404T053504
CREATED:20250120T130014Z
LAST-MODIFIED:20250206T165435Z
UID:10001084-1742585400-1742590800@firehouse.org
SUMMARY:Cimarron 615
DESCRIPTION:The Firehouse Center for the Arts presents… \nCimarron 615\n  \n$55 / All Tickets \nPurchase Tickets\n\n  \nThe quartet — just releasing its second\, self-titled album — is a hall of fame-caliber assemblage\, with credits that look like a who’s-who of Americana\, country and rock history. “We’ve all been around a long time and done a lot of work — and a lot of it together\,” notes drummer Rick Lonow. “There’s history here.” \nWhere the four musicians intersect is via the famed country-rock band Poco. Lonow and Jack Sundrud were its longtime rhythm section until the band ceased when co-founder Rusty Young died in 2021. Michael Webb played in the band for eight years\, while Ronnie Guilbeau co-wrote Poco’s 1989 Top 20 single “Call It Love” with Lonow. Webb and Sundrud co-produced Poco’s All Fired Up album in 2013\, and Lonow\, Webb and Sundrud played on Young’s 2017 solo album\, Waitin’ For the Sun. \nThen there are the individual credits\, which include many path-crossings with each other over the years. Lonow’s discography includes albums for Johnny Cash and June Carter Cash\, Loretta Lynn\, Nanci Griffith\, “Cowboy” Jack Clement\, Ryan Bingham and many more\, has toured with the Bellamy Brothers\, and was part of the all-star Burrito Deluxe. Webb played on iconic albums by Chris Stapleton\, John Prine\, Mark Germino and others\, as well as hitting the road with John Fogerty and Hank Williams\, Jr.; he was also part of the all-star Brooklyn Cowboys. Sundrud played with Dickie Betts\, Vince Gill\, and Nicolette Larson\, and formed the group Great Plains. And Guilbeau — who\, like Sundrud\, worked in the California country-rock scene before moving to Nashville — was part of the bands Palomino Road and GYG. \nCimarron 615 came to be after Young’s death\, when Blue Elan Records chief Kirk Pasich organized a tribute concert and album and brought Sundrud\, Webb and Lonow together in Los Angeles as part of a house band for several projects – and heard the potential for more. Guilbeau rounded out the line-up in 2023. \n \nPurchase Tickets
URL:https://firehouse.org/event/cimarron-615/
LOCATION:Firehouse Center for the Arts\, Market Square\, Newburyport\, MA\, 01950\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://firehouse.org/wp-content/uploads/2025/01/Cimarron-Web.jpg
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END:VCALENDAR